Level 5
Classical Titles
Tomaso Albinoni – Concerto in G, Op. 5, No. 4
Herman Clebanoff – Millionaire’s Hoedown
Louis Corchia and René Grolier – Le Tango Select
Arcangelo Corelli – Sonata in D Minor, Op. 5, No. 7
Arcangelo Corelli – Sonata in E Minor, Op. 5, No. 8
Arcangelo Corelli – Sonata in A Major, Op. 5, No. 9
Arcangelo Corelli – Sonata in F Major, Op. 5, No 10
Arcangelo Corelli – Sonata in E Major, Op. 5, No. 11
Charles Dancla – Air Varie, Op. 89, No. 1
Charles Dancla – Air Varie, Op. 89, No. 2
Charles Dancla – Air Varie Op. 89, No. 3
Charles Dancla – Air Varie, Op. 89, No. 4
Charles Dancla – Air Varie, Op. 89, No. 5
Charles Dancla – Air Varie, Op. 89, No. 6
Edward Elgar – Chanson de Matin, Op. 15, No. 2
Edward Elgar – Chanson de Nuit, Op. 15, No. 1
George F. Handel – Sonata No. 3 in F Major, HWV 370
Jenö Hubby – The Violin Maker of Cremona
Felix Mendelssohn – Concerto in D Minor, Op. 23
Edward Mollenhauer – The Boy Paganini
Oskar Reading – Concertino in G Major, Op. 24
Oskar Reading – Concertino in D Major, Op. 25
Oskar Reading – Concertino in A Minor, Op. 21 in Hungarian Style
Range
A Major
A minor
B minor
Bb Major
C Major
C minor
D Major
D minor
E Major
E minor
F Major
F# Minor
G Major
G minor
Left Hand
2nd position used
Left Hand pizzicato while bowing
Minimal shifting above 3rd position; 1 or 2 measures at most
Natural harmonics 2 octaves higher than open string.
Bowing
Use of some double stops
Developing off the string bowings with flexibility in bow arm and hand
Introduction to ricochet
Time Signatures
4/4
2/4
3/4
2/2
3/8
6/8
3/2
12/8
